The Re-Chosen Land, Or: How Learned to Love the Heat
Art and Text by Yaronimus
Life is a constant struggle here. We precariously exist on a tiny, boiling and volatile piece of land, Surrounded by hostile neighbors. So it's unsurprising that i wanted to go away. Back in 2001, trapped in a sweltering uniform as a young soldier, I vividly recall myself cursing this place in my mind. I hated the heat, the army, and enduring endless bus rides after unmeaningful and boring days. My pale skin, a testament to my ancestors' eastern European origins, bore the brunt of the relentless sun.
"As a secular man, my love for the land was never a religious matter but a result of a deep cultural education."
It was a period of bus bombings in Israel, and the possibility of being burned to death on bus 83 at the central station in Petah Tikva was a fairly likely and logical scenario. In my imagination, I sailed to colder places, where I quenched my parched throat from dark, cool streams that bled into evergreen carpets from fog-shrouded peaks, thundering in their silence.
I didn't always feel this way. My childhood memories are filled with Sabbath trips with my family and summer vacations in the desert. We traveled throughout the country, the parks and the museums, absorbing the local cultures, foods, history and archeology. The slender silhouette of a date palm, the taste of sun-kissed grapes, and the names of the seven biblical plants were etched into my memory. As a secular man, my love for the land was never a religious matter but a result of a deep cultural education.Summers came and went, I finished my military service and started studying visual communication in Tel Aviv. I started learning about the graphic heritage of the Israeli designers. They created new symbols out of old, and developed Hebrew typography, which is the transparent beauty of the language, embodied in the various forms of letters from different periods and places.
Through play and experimentation with my studies, I realized that the joy and fulfillment I found in creating with Hebrew letters far exceeded any other language. I discovered the ability to draw letters with my own hand as an inexhaustible source of new styles. When I started drawing letters myself in the early 2000s, I felt that I was actually helping to continue that pioneering act of developing a self aware Hebrew typographic culture.
"To my great joy, I could stand on the shoulders of giants, and learn from the wisdom of past designers."
As I broadened my perspective to encompass the wider Middle Eastern region, I realized that our region is plagued by a cycle of conflict and trauma. Generations have clashed over land, each convinced of their own righteousness. Today's trauma fuels a cycle of self-preservation, hindering our ability to seek alternative paths. But instead of succumbing to fear, I chose to embrace the rich cultural mosaic of the Middle East.
Inspired by the local Canaanite artistic movement of the 1930s, I've been drawn to the fusion of European primitivism and ancient Middle Eastern sculptural language. This artistic blend sparked a creative journey, as I began using generative AI tools to reimagine and reinterpret the archaeological symbols of the past. By merging these symbols with modern science fiction and fantasy elements, I'm trying to create Neo-Canaanist art - a fusion of ancient and futuristic aesthetics.
"My artistic identity was forged by the heat."
Today, I came to understand that my artistic identity was forged by the heat of this land. I grew to love this place deeply, despite its challenges. I cherish the warm embrace of the summer sun. but I also recognize that my love is not unconditional.
Each day, I must consciously choose to love it anew, to rediscover and remember it's worth. To try to make my country a slightly better place with my humble contribution of art, wisdom, and love.